Artist Feature: Stones Taro
Stones Taro, a young producer pumping out releases like no tomorrow, with an astounding ear for everything underground. If you haven't heard of Taro you might expect him to producing beats in a dingy flat up north, instead he's 5,000 miles away in Kyoto, Japan.
Beginning his journey in 2014, Stones Taro has been perfecting his sound and building an identity in his hometown.Launching his House & Garage label 'No Collars For Kicks' (NC4K) alongside close friend Lomax, in 2017.
NC4K wanted to create a local homegrown scene, to show that you don't have to be in Tokyo to make music. Showcasing talented producers from the surrounding Kansai region to the world. With the aim of fostering a community that can thrive independently.
An output of solid releases gave the label traction and is now getting some well deserved attention from Clash, Hyponik, Inverted Audio and The Ransom Note.
Taro put out his first solo debut EP for Scuffed Records, with the acid house meets 2-step project ‘Spiral Staircase’.
After the raging success of the release on Scuffed Recordings, the Kyoto producer made yet another debut on Shall Not Fades sister label: Time Is Now, "Super Hot Floor EP. Packed with pacey, club-ready tunes, stuttering synths and a driving basslines which leave little room for respite beneath a fierce breakbeat electro rhythms.
More recently ST hosted a Keep Hush Takeover, demonstrating just how prominent his production and the scene out there, really has become.
In Conversation with Stones Taro
Thanks for taking the time to chat to us, let's kick things off with what got you into music & how you found growing up in Kyoto?
When I was in junior high school, I had a friend who was very familiar with American punk rock and Japanese indie bands, which strongly influenced me, then I got into music. And the rise of Youtube was very important to me, as I was living in a rural area with few musical shops and music venues in my teenage years. Thanks to Youtube, actively "digging" music has become a habit.
I consider 'digging' as an activity that combines systematisation techniques and enthusiasm. Besides music, I applied 'digging' to philosophy, art theory and science fiction. They have strongly influenced my thinking and personality.
Since the 'Keep Hush Kyoto Takeover' the stream has really shed light on the expanding scene there. How does it feel to see this progression?
I think the Japanese dance music scene has always been active. There are legendary producers and DJs such as Fumiya Tanaka, DJ Nobu and Soichi Terada, who are popular in Europe as well. I think the excitement you saw at the Keep Hush Kyoto is due to the recent widespread popularity of bass music among young clubbers in Japan. Many young clubbers are checking the Keep Hush clips on IG. The recent revival of UK garage and jungle seems to have had such a big influence on that.
As your label 'NC4K' continues to grow how do you think it will progress in the future & do you have any goals you want to achieve with the label?
The Unearthed Distribution is one of the reasons for our growth. Thanks for always supporting us.
We will just keep going our own way, which is always expressing our funkiness through various styles. We'd like to do label showcases around the world. I'm thinking about our Asian tour in the near future.
Your production sound is very broad, covering many genres. It's interesting to hear your interpretation of old 90's jungle samples. Where do you get your inspiration from & how does this affect the way you approach making music?
House, UKG, Breakbeats and Jungle - I've released EPs in so many styles, so some people can't understand my main focus. There are two main inspirations for making music for me. One is the swinging groove like 90s NY House (like the Strictly Rhythm) and UK garage. Another is the air of mid-90s Jungle (like the Moving Shadow). I often start to make a tune by selecting drum samples. It's most important for my music to put cool samples into a cool groove than other elements.
Lastly, do you have any dream collaborations? People that you would love to work with?
I love all of Peach's works and DJ sets for now. I saw her great set at Rainbow Disco Club in Japan. Happy if I could work with her in any way.